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First

Sony A7, Nikkor 5.8cm f/1.4 at f/11

As December comes to an end this will mark the lowest rainfall year on record for the Mount Shasta area. I believe the rest of California is on a similar (or worse in the south) Let's hope this turns around soon.

There are a lot of complicated things going on behind the scenes that  manufacturers just don't like to talk about. I didn't realize until the last year or so that for many years the viewfinders in SLR cameras are optimized for slow zoom lens. No big deal right? Unless you're shooting with fast glass, and that's fast glass by today's standard, where we are very accepting of slow glass. On a modern SLR the viewfinder does not show accurate depth of field at an aperture wider than f/2.8. That's a problem if you like shooting fast glass, and one of the joys of a camera with an EVF like the Sony A7, where you see exactly the depth of field you're getting, at all times. No depth of field preview button needed, and visible depth of field with faster glass.
 
River Shack

Sony A7, Rokkor MC 35mm f/2.5

Some places I don't get tired of taking photographs of. Well that might be every place, but some I am exceptionally fond of.  Mossbrae Falls is one of those spots. A week before it was probably frozen solid during a cold spell, but unfortunately we were in Three Rivers at the time. What a sight it, and the nearby waterfalls on the McCloud River must have been. I wonder if Upper Falls froze solid?

Sony A7, Tamron Adaptall 24mm f/2.5

I thought the world of Nikkor lenses was complex and confusing. Perhaps because older Minolta Rokkor lenses are of the dead AR mount, there is less literature about them and it's an even more confusing world trying to figure our exactly what  is what. So far I have been liking the "135mm f/2.8 MC Tele Rokkor-PF". The old Rokkors can be screaming deals. This one set me back all of $23.

Sony A7, Rokkor 135mm f/2.8 MC PF whatever at 2.8


Are they better than similar Nikkors? So far it's tough to say. The Rokkors are known for color rendition not ultimate sharpness, and I would say I like the color rendition better. Sharpness? Too early to tell as I'm on a laptop without photoshop for the holidays. In general they seem softer wide open and same difference at f/8.

Yellow & Blue

Sony A7, Rokkor 135mm f/2.8 MC PF wide open.

The same lens again, it's becoming one of my favorites. Focusing is in the opposite direction of the Nikkors, which can be quite frustrating with muscle memory.

Sony A7, Rokkor 135mm f/2.8 MC PF around 5.6

The texture and color of this trunk is incredible. Retrospectively I'd have added some vignetting in post processing.

Sony A7, Nikkor 5.8cm 1.4 stopped down a good bit

Not as recent, but sharing before it's forgotten. Nikon D600 and Tamron 70-200mm 2.8 wide open













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